Confessions of Love PDF ñ Confessions of MOBI

Confessions of Love [Epub] ➟ Confessions of Love ➤ Uno Chiyo – Thomashillier.co.uk Confession of Love is chronicles the stormy vicissitudes of love like most of Chico Uno s others writings It is based upon the sensational romantic career of the artist Togo Seiji, with whom Uno enter Confession of Love is chronicles the stormy vicissitudes of love like most of Chico Uno s others writings It is based upon the sensational romantic career of the artist Togo Seiji, with whom Uno entered a five year liaison just after Togo emerged alive from a highly publicized double suicide Confessions of MOBI :↠ attempt The narrator, named Yuasa Joji in the novel, is a familiar Japanese romantic hero, a weak man irresistible to women Although Yuasa has a way with women, his charms are mixed with passivity He whips his romances up to a crescendo but can take them no further and he shatters his own life as well as those of his loversThis novel is a chronicle of the s, when so called modern girls, known for their bobbed hair as well as their attempts to challenge old and repressive attitudes about a woman s place in society, flourished in Japan.


About the Author: Uno Chiyo

Uno Chiyo was a female Japanese author who wrote several notable works and a known kimono designer She had a significant influence on Japanese fashion, film and literature She became part of the Bohemian world of Tokyo, having liaisons with other writers, poets and paintersIn later years, Uno s popularity Confessions of MOBI :↠ was given formal status as she was recognized by the Emperor and assumed the honor of being one of Japan s oldest and most talented female writers.



10 thoughts on “Confessions of Love

  1. Praj Praj says:

    I wonder where I should startThe dense sentiment of Yuasa Joji s words lingered as I embarked on this literary documentation My perishable deliberations fleeted from the quirky passionate adventures of Joji to the resolving core of Uno Chiyo s audacious vibrancy What, if I was a man Would I be able to brazenly shove my penis into a vagina that voluntarily opened in front of me , without the repercussion of societal prejudices My masculinity measured by the depth of my promiscuity rI wonder where I should startThe dense sentiment of Yuasa Joji s words lingered as I embarked on this literary documentation My perishable deliberations fleeted from the quirky passionate adventures of Joji to the resolving core of Uno Chiyo s audacious vibrancy What, if I was a man Would I be able to brazenly shove my penis into a vagina that voluntarily opened in front of me , without the repercussion of societal prejudices My masculinity measured by the depth of my promiscuity reasoning the democratic sexual vulnerability Would the sentiment of love be on the tip of my penis, vanishing at the very instance of my sexual fulfilment Or would I crave for the precise emotional upheaval of a woman s dilemma My aspirations of desiring to be a man are solely for the sense of sexual freedom Why is it that when a woman seeks sexual pleasure for reasons other than love is defined through despicable labelling Is it the sole responsibility of a woman to construe the lucid characterization of love through her marriage and sexuality, whilst the puzzlement of the said sentiment becomes a prerogative of a man What if I articulated through a man s voice elucidating the woes of both the genders Will I achieve the sense of freedom experienced by Uno Chiyo, herself The wishful contemplation remains to be seenHad I ever once been in love Never That was because I wasn t the type of man who falls in love, was I I had in fact become nothingthan a scoundrel who had cleverly learned his lessons while abroad It was just now my expertise had developed further and I was able to put on a show of falling in love The far reaching panorama of love confessions recounting the romantic experiences of an apathetic Western style artists challenging the traditionalist perception of women experimenting on new found liberation of woman s sexuality and financial independence Uno Chiyo ardently scripts the attention grabbing lifestyles or to be truthful, life choices of three audacious female protagonists associated with the progressive picture of the Japanese modern girlsmodan garuormo gaThe steady rise in urbanisation brought a plethora of social changes with young women replacing their reams of kimono with much vibrant and fanciful Western styled clothing, aping the Westernized philosophies the modernized youth culture engaged in a bohemian existence scandalous to the yet traditionalist Japanese society Chiyo, herself being at the helm of such restructured image led an outrageously audacious life with her preference for vibrant make up and chic dressing and for her democratic approach to social and personal demeanour The idea of love and sex etched by the irrational imagery of good wife or good girl smothers the women in this manuscript by constant ethical validity The knotty lives of the four women enmeshed with Joji s capricious oddity reflect Chiyo s own asphyxiation when experimenting with the new found freedom, the men in her life and the matrimonial hypocrisy.If Joji can mull over the probabilities of genuine love with a pardonable defence, why is the same self exploring conduct of Takao or Tomoko s experimentation seen as scandalous and wayward act When the act of sex weighstowards the lure of lust than love, can t it be enjoyed with gusto,equally by both men and women without the latter being embellished with unflattering terminology The concept of love is not as vacillating as the male protagonist, seeing that the sentiment of love does eventually flourish to a fanatical climaxThis what a home was supposed to be and in a home it made no difference what the husband thought or what was on the wife s mind, just as long as one lived peacefully, wrapped in great warmth The onset of Taisho democracy conveyed a fresh libertarian attitude in the 1920s Japanese society enlightening a myriad of political philosophies persuaded by Westernization The establishment of the democratic environment split the war prone Japan into two communal doctrines The exertion of challenging the old while embracing the new, mislaid a sense of belonging within the populace, especially the youth Uno Chiyo delineates similar dilemmas wrestled by the befuddled characters in thisshosetsuYuasa Joji s predicament of fitting into two polarised world sympathizes with the likelihood of him accustomed to the European life style while study art in France His yearning and frantic search for a comforting home exposed the alienation endured by Joji in both his social and private life A forlorn domestic front, impassioned sexual affairs and high susceptibility to the female exquisiteness generates an erratic yet sympathetic persona to Joji s entirety as a man perpetually stuck within its own isolation Parallel conjectures are also detected in the lives of Joji s women Takao s feral sexual prowess and obstinacy for exploring sexual and emotional freedom like a man Tomoko s self reflection on her burdensome marital life and the subsequent extra marital expedition with Kurota Matsuyo s intense yearning for a divorce freeing her from the monotony of a passionless marriage and then Tsuyuko, whose life weighed down by the eternal fight against the desolation of love and the repressive familial milieu.Each of Chiyo s illustrated women was jammed between the explorations of emotional, sexual and social independency carving their own niche in the society yet, somehow restricted by financial dependence due to hierarchical and gender chauvinism Uno Chiyo steadily gives a commonsensical depth to Yuasa Joji comparing the daunting visibility ofmodan boior rather an urbane man Joji s quest of a warm and peaceful home diminishing within Tomoko s residential domesticity was a momentary respite for his neither his or Tomoko s heart could find a permanent refuge in this materialistic solaceI had Tsuyuko s love the way a baby searches for a mother s breast, but no matter how long I journeyed I still found no refuge where my heart could came to rest The dissection of the romantic crescendo culminating in suicidal brouhaha sharply cuts through the biographical narration of the Parisian nurtured artist Seiji T g and Chiyo s life with him Togo known for his contemporary art as well as his flamboyant love life and a vastly publicised act of lover s suicide, had encountered Uno Chiyo on of her attempts to write a novel encompassing the romanticism of a love suicide Intriguing as it replays, the bizarre episode of Chiyo spending a night with Togo on the same blood stained futon recapping T g s fruitless suicide attempt , possess an sinister eroticism that Chiyo brings into her prose Thewatakushi shosetsuI novel overpowering the confessional fictionalized account of Seiji T g is a road to liberalism collapsing into nothingness when bent towards a controversial Japanese society still shackled within the burrows of conventional dogma inundated with volatility and misapprehensions.Not to be easily dismissed as a romantic fluff from the 1920s literary era, the archetypal Japanese hero, a charismatic man weakened by female sexuality, fabricates a sense of coherent evaluation when scrutinized through the concave disposition of the desperation and vagueness of sexual rendezvous and the chaotic ideological consumption of three women crammed in the bohemian allure of modernisation The warmth of a mother s breast, the passion of a lover s body and the draughtiness of the heart misplaced in uncanny temperament of love shatters the lives of those involved in Yuasa Joji s lyrical portrayal of love marred by reckless sexual vulnerabilities and the calamitous progression towards romantic emancipation


  2. Gertrude & Victoria Gertrude & Victoria says:

    Uno Chiyo was a woman of strong will and insatiable passion a liberated woman especially concerning matters of love This novel Confessions of Love is one of her lasting legacies She was notorious for her hedonistic lifestyle her relaxed attitudes towards sex and marriage were scandalous in the eyes of those around her And she was not one to shy away from controversy in fact, she often confronted it without hesitation or shame, as she broke away from the menacles of conservative tradit Uno Chiyo was a woman of strong will and insatiable passion a liberated woman especially concerning matters of love This novel Confessions of Love is one of her lasting legacies She was notorious for her hedonistic lifestyle her relaxed attitudes towards sex and marriage were scandalous in the eyes of those around her And she was not one to shy away from controversy in fact, she often confronted it without hesitation or shame, as she broke away from the menacles of conservative tradition.This novel, narrated by Joji, is a beautiful piece of writing The plot is as enticing and captivating as any story about love, scandal and disappointment Here, we follow Joji as he meets women with whom he begins relationships with These women are not typical of that time They are women who refuse to be constrained by society s rules and expectations Joji, on the other hand, is a capable man, however he possesses irredeemable weaknesses He is able to capture the hearts of ladies, but not for long.Uno s writing is remarkable in many aspects Her style is lucid and colorful Her narrative is appealing and enduring Her characters display both strengths and weaknesses that are all too easy to relate to In all, she writes of people who see the power of love as a force which there is no escape from


  3. Alex Pler Alex Pler says:

    Independientemente de lo lejos que hubiera llegado nuestra historia, mi coraz n no hab a encontrado refugio en ella Ten a la sensaci n de estar andando por una ciudad azotada por el viento Al anochecer, las casas iluminadas pertenec an a los dem s Yo segu a andando bajo el viento hasta el infinito y no sab a qui n me obligaba a hacerlo Cuando pensaba que yo era quiz un hombre que solo pod a vivir de aquel modo, ten a la sensaci n de que aunque decidiera interrumpir aquella existencia con l Independientemente de lo lejos que hubiera llegado nuestra historia, mi coraz n no hab a encontrado refugio en ella Ten a la sensaci n de estar andando por una ciudad azotada por el viento Al anochecer, las casas iluminadas pertenec an a los dem s Yo segu a andando bajo el viento hasta el infinito y no sab a qui n me obligaba a hacerlo Cuando pensaba que yo era quiz un hombre que solo pod a vivir de aquel modo, ten a la sensaci n de que aunque decidiera interrumpir aquella existencia con la muerte, no har a sino seguir el camino que ten a trazado Yo hab a sido perseguido y acorralado hasta el lugar donde me encontraba ahora


  4. Christian Christian says:

    I m surprising myself by giving it four stars The protagonist keeps falling in and out of love with different girls All of which happen while he is in the divorce process and still living with his wife Also they have a child, but there s close to no mention of him With this setting, it s difficult to feel empathy for him as every romance he steps into makes his lifemiserable The only thing that s helping is the fact that it s a first person narration He conveys his thoughts and emoti I m surprising myself by giving it four stars The protagonist keeps falling in and out of love with different girls All of which happen while he is in the divorce process and still living with his wife Also they have a child, but there s close to no mention of him With this setting, it s difficult to feel empathy for him as every romance he steps into makes his lifemiserable The only thing that s helping is the fact that it s a first person narration He conveys his thoughts and emotions good enough to be believable, his descriptions of other characters are both precise and useful for us to get a very good picture of their personality Many scenes are highly memorable, I especially liked when he and Tsuyuko spent a night at their friend s house, for how it changed their relation and how he kept thinking back about it in regret, despite the fact that nothing really tragic had happen Another thing I really liked is that the story didn t take epic proportions Well it does end in a dramatic way, but here and there, scenes of everyday life described with everyday words somehow help focus on thesubtle things


  5. Spike Gomes Spike Gomes says:

    Despite being somewhat of an aficionado of Japanese literature, I did not know who Uno Chiyo was when I saw Confessions of Love on the free shelf in college a long time ago It turns out that while she has a rather high profile in Japan, she didn t gain much recognition abroad until the 1980s when several of her works were translated by feminist scholars after there was a renewal of interest in her towards the end of her long life Likely the fact that she was the final surviving person from Despite being somewhat of an aficionado of Japanese literature, I did not know who Uno Chiyo was when I saw Confessions of Love on the free shelf in college a long time ago It turns out that while she has a rather high profile in Japan, she didn t gain much recognition abroad until the 1980s when several of her works were translated by feminist scholars after there was a renewal of interest in her towards the end of her long life Likely the fact that she was the final surviving person from the tumultuous Taisho period of literary and artistic flourishing, and was active in writing and fashion until her death made her stand out Certainly, she seems as much famous for her own personal bohemianism as much as anything she ever wrote or designed.This particular story isor less a thinly veiled fictionalization of the romantic life of one of her ex husbands, as done from his perspective It s rather not surprising that he divorced her shortly after, because it s highly unflattering Joji Yuasa comes across as self centered, weak willed, passive aggressive and vacillating, completely oblivious to the damage he does to other s lives He seems to attract and pursue younger modern oriented women who seek the glamour that comes from the life of worldly and charming artist, but only to run afoul of the fact that he s just a hopelessly shiftless and emotionally self absorbed Stuck between the traditional s of their families and societal expectations, and the unglamorous reality of what bohemian life is like poor, unsettled and unstable , none of his relationships come to a happy ending, with the final one ending in an almost comedic failed double suicide, in which the woman believes that it s the ending of a doomed romance, while Joji is mostly going through an internal whining about how his life is meaningless and he has noartistic inspiration, and mostly is using her a prop for the scene setting of his failed artistic ambition Honestly, while there is quite a bit that s tragic about the women, all four of them seem like hot messes themselves in a lot of ways, which I think a lot of the feminist theorizing about the author has sort of glossed over In all, it doesn t really come across as preachy or a condemnation of Japanese society While societal s are impossible to escape, there is the interesting contrast of families that seem to have a bitheart , and are willing to forgive transgressions as opposed to bury them away.Stylistically, well, if not for the frankness of the sex and suicide, it would definitely bein the popular novel category Granted, Uno is going up against some really heavy competition, but it just seems like prose is workman like, none of the evocative richness of Ogawa, nor the sly irony of Akutagawa, nor the ability to say things without directly saying them at all, that Kawabata possessed Honestly, though, trying to compare her to her literary contemporaries seems unfair, as she s better than most current Japanese writers being published today, particularly when it comes to portraying emotional depth 3.5 out of 5 stars


  6. Kitiara Kitiara says:

    A mitad de libro ya hab a perdido todo inter s por los personajes y por sus historias Ning n personaje me despierta simpat a, y tampoco son lo suficientemente sugerentes para producirme antipat a Me ha dejado muy fr a.


  7. Lolaf Lolaf says:

    Vaya locura de libro No hay p gina que no contenga dos o tres giros dram ticos Interesante ver que existia este tipo de vida en Japon en 1935.


  8. Celia Celia says:

    Interesante como expresa las relaciones amorosas del Jap n del siglo XX No es la novela de mi vida, pero ha sido muy agradable y amena de leer.


  9. Sarah Sarah says:

    Pas facile cette Confession amoureuse Le narrateur est un peu perdu dans sa vie, et notamment dans sa vie amoureuse et il le dit Et tout est fait pour communiquer cette confusion au lecteur.Cet homme, peintre prometteur japonais, vient de rentrer au Japon apr s plusieurs ann es en Europe et il a parfois du mal comprendre sa soci t Et nous aussi, souvent on ne sait pas trop ce qui se passe L honneur pr server co te que co te, l id e du suicide, l opprobre sur les divorc s le d calag Pas facile cette Confession amoureuse Le narrateur est un peu perdu dans sa vie, et notamment dans sa vie amoureuse et il le dit Et tout est fait pour communiquer cette confusion au lecteur.Cet homme, peintre prometteur japonais, vient de rentrer au Japon apr s plusieurs ann es en Europe et il a parfois du mal comprendre sa soci t Et nous aussi, souvent on ne sait pas trop ce qui se passe L honneur pr server co te que co te, l id e du suicide, l opprobre sur les divorc s le d calage culturel est fort


  10. Carola Carola says:

    I opened 2013 with Confessions of Love, as part of my personal challenge of readingJapanese literature, as well as January in Japan.Chiyo Uno is not often mentioned when it comes to Japanese literature She doesn t seem to fall among the popular Japanese authors such as Murakami, Banana Yoshimoto, Kawabata, Tanizaki and the likes According to the translator of Confessions of Love, at the time of his writing the introduction late 80 s , there was a Chiyo Uno boom going on in Japan As f I opened 2013 with Confessions of Love, as part of my personal challenge of readingJapanese literature, as well as January in Japan.Chiyo Uno is not often mentioned when it comes to Japanese literature She doesn t seem to fall among the popular Japanese authors such as Murakami, Banana Yoshimoto, Kawabata, Tanizaki and the likes According to the translator of Confessions of Love, at the time of his writing the introduction late 80 s , there was a Chiyo Uno boom going on in Japan As far as I was able to find out, the same goes for the west most western works about Uno seem to have appeared around the same time, and not much after that I certainly hadn t heard of Uno until I found this copy of Confessions of Love, which attracted my attention because of the author s name, the photo on the back cover and well, the cover is bright pink and a bit tacky and I simply couldn t resist.The book is written from the perspective of an artist, J ji Yuasa He describes his escapades with women and falling in love He is a weak man and in no way a hero The story starts out innocent enough, when Yuasa receives a letter from a girl At the time he is still married, but his marriage is loveless and he decides to pursue the girl Without spoiling the rest of the story although halfway I realised it was already spoiled in the introduction by the end I didn t have much sympathy for Yuasa left.The book is a nice quick read The translation to English is done by Phyllis Birnbaum I haven t tried reading the book in Japanese, but the translation at least reads easy and pleasantly The language is straightforward and personally I like that Also I found it fascinating that the story was told from the perspective of a man Moreover, Uno integrates both the traditional and the modern aspects of her time in the novel Most of the women in Confessions of Love are modern girls Modern girls or moga are a phenomenon that started in the 1920 s, Japan s late Taish period and early Sh wa period Moga followed a westernised fashion and lifestyle They were usually independent, financially and from their family Despite all of this, Uno shows in Confessions of Love how family and tradition continues to influence marriage.Before I even started the book, I was instantly intrigued by Uno because of the introduction by Birnbaum Uno was born in 1897 and died at age 98 in 1996 Her life was far from traditional As she says herself, she did whatever she pleased In her life time she had several husbands and lovers Yuasa in Confessions of Love is based off the story of one of her husbands , as well as several occupations such as kimono designer She was mostly popular for her looks she was a modern girl herself and her escapades with men, although she herself says she gave priority to writing.I wanted to knowabout Uno and was happy to find The Sound of the Wind Life and Works of Uno Chiyo by Rebecca L Copeland at my library It contains a biography of Uno which seems to be taken largely from Uno s self written works about herself and three stories The Puppet Maker, The Sound of the Wind, and This Powder Box, which I haven t read yet I can recommend this book if you are looking forinsight on Uno and the time she lived and wrote in.With the Goodreads Japanese literature group we read The Makioka Sisters by Jun ichir Tanizaki, one of Uno s contemporaries Both books were written and take place within ten years of eachother, before WWII While the Confessions of Love mostly shows the lives and love lives of modern girls and the way society views them, The Makioka Sisters portrays the traditional way of finding a husband oraccurately I suppose a husband being found for you Reading both these books is incredibly insightful in this part of Japanese culture at the time.I am happy I found a Japanese author I was not yet familiar with and I m definitely looking forward to readingof her works first those three stories in Sound of the Wind, I suspect


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